Madonna und Kind 1505
23 3/8" x 17 3/8"
National Gallery of Art, Washington DC
1505 23 3/8 X 17 3/8 Nationale Galerie derKunst, Washingtons GLEICHSTROMS Italian High Renaissance Painter, 1483-1520
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Gemälde ID:: 9875
Madonna und Kind 1450Oil on panel.
Musee des Beaux-Arts
de Tournai, Tournai,
France. 1450 Ölauf Unterausschuss. Musee des Beaux-Künste de Tournai, Tournai, Frankreich. Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Madonna und Kind 1469-70
Tempera and oil on canvas, transferred from panel
The Hermitage, St. Petersburg. 1469-70 Tempera und Öl aufLeinwand, die von übertragen wird, täfeln Die Einsiedlei, Str. Petersburg. Approx. 1441-1496
Italian painter, Piedmont school (b. ca. 1490, Chivasso, d. after 1531)
Gemälde ID:: 28849
Madonna und Kind mk65
Panel
29 1/8x19 1/16in
Pitti
mk65 Unterausschuss 29 1/8x19 1/16in Pitti Italian painter, Piedmont school (b. ca. 1490, Chivasso, d. after 1531)
Madonna und Kind mk65
14697/0
Tempera and oil on canvas
transferred from panel
29x21"
haben mk65 14697/0 Tempera und Öl auf Leinwand von Unterausschuss 29x21.übertragen Approx. 1441-1496
Madonna und Kind mk65
ca.1447
Tempera on panel
35x16 1/2"
der Tempera von mk65 ca. 1447 auf täfelt 35x16 1/2 Italian Early Renaissance Painter, 1420-1497
Madonna und Kind mk65
ca.1517
Oil on canvas
transferred from panel
hat das Öl vonmk65 ca. 1517 auf Leinwand von Unterausschuss. übertragen Italian Mannerist Painter, ca.1495-1540
Madonna und Kind mk67
Tempera on panel
33 1/2 x21 11/16 n
Uffizi,Gallery
mk67 Tempera auf täfelt 33 1/2 x21 11/16 n Uffizi Galerie Italian Painter, active ca.1350-1363
Madonna und Kind mk67
Tempera on panel
9 5/8x7 7/8in
Uffizi,Gallery
mk67 Tempera auf Unterausschuss 95/8x7 7/8in Uffizi Galerie Italian Early Renaissance Painter, 1401-1428
Madonna und Kind mk67
Tempera and panel
11 7/8x8 7/16in
Uffizi,Gallery
mk67 Tempera und täfelt 11 7/8x8 7/16in Uffizi Galerie Italian
1431-1506
Andrea Mantegna Locations
Madonna und Kind mk67
Oil on canvas
29 1/4x23 7/16in
Uffizi,Gallery
mk67Öl auf Leinwand 29 1/4x23 7/16in Uffizi Galerie Italian Mannerist Painter, 1527-1585
Madonna und Kind mk86
1370
Tempera on wood
101x69cm
Turin,Galleria Sabauda
der Tempera von mk86 1370 auf Holz 101x69cm Turin, Galleria Sabauda active in Genoa and Pisa 1361-1383
Madonna und Kind mk86
c.1450
Tempera on wood
91x81cm
Antwerp,
Koninklijk Museum voor Schone Kunsten
der Tempera von mk86 C. 1450 auf Holz 91x81cm Antwerpen, Koninklijk Museum voor Schone Kunsten French
1420-1479
Jean Fouquet Locations
Madonna und Kind mk156
c.1655
Oil on canvas
155x105cm
das Öl von mk156 C. 1655 auf Leinwand 155x105cm Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Italian High Renaissance Painter and Inventor, 1452-1519
Gemälde ID:: 40971
Madonna und Kind mk159
c.1490-91
Tempera on canvas
transferred from panel
42x33cm
mk159 c.1490-91 Tempera auf Leinwand, die von übertragen wird, täfelt 42x33cm Italian High Renaissance Painter and Inventor, 1452-1519
Madonna und Kind mk159
Oil on canvas
transferred from panel
71.5x52cm
mk159 Öl auf Leinwand, die vonübertragen wird, täfelt 71.5x52cm Spanish Mannerist Painter, ca.1520-1586
Madonna und Kind mk161
Tempera with gold halos
on wood
transferred from the original panel
mk161 Tempera mit goldenen Heiligenscheinen auf Holz hatvom ursprünglichen Unterausschuss übertragen Italian
1406-1469
Fra Filippo Lippi Galleries
Gemälde ID:: 59664
Madonna and Child Madonna and Child
1440-45, tempera on panel
National Gallery of Art, Washington, DC. Italian
1406-1469
Fra Filippo Lippi Galleries
Gemälde ID:: 62314
Madonna and Child 1670 Oil on canvas, 166 x 115 cm Gem?ldegalerie, Dresden The painting is also called as Madonna Legan?s, because it is assumed that it represents Do?a Maria Legan?s. Spanish Baroque Era Painter, ca.1617-1682
Gemälde ID:: 62558
Madonna and Child 74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious 1794-1872
Gemälde ID:: 62957
Madonna and Child 1297 Tempera on wood Private collection This panel was painted for a chapel in the church Santa Maria sopra Minerva in Rome. Artist: GIOTTO di Bondone Painting Title: Madonna and Child , 1301-1350 Painting Style: Italian , , religious Italian Early Renaissance Painter, 1267-1337
Gemälde ID:: 63535
Madonna and Child 1448 Canvas on panel, 50 x 45 cm Pinacoteca di Brera, Milan The painting has been cut down on the sides, with the loss of sections of the framing element. Dated and signed below, in mixed Gothic and Renaissance characters: "1448 HAS DEDIT INGENI (OSA) BELINUS MENTE FIGURAS." From the church of the Servites at Riviera di Casalfiumanese, Imola. Jacopo Bellini was an "enlightened" late Gothic painter who reacted against the aestheticism of his contemporaries. He added new elements such as classical antiquities, perspective and drawing to his pictorial language. As a humanist Bellini did not go beyond the taste for antiquity. In perspective he adopted Tuscan revolutionary ideas as dogma. Although he understood the independent value of drawing, he did not see it as a method of research but as a means for systematic description. His paintings thus give a hybrid impression, as in this work which also seems to owe something to Fra Angelico.Artist:BELLINI, Jacopo Title: Madonna and Child Painted in 1401-1450 , Italian - - painting : religious active in Florence 1423-Venice 1470
Gemälde ID:: 63820
Madonna and Child 1508 Oil on wood, 81 x 57 cm National Gallery of Art, Washington The dominance of the lyrical and graceful aspect of this painting (known also as The Niccolini-Cowper Madonna) over the religious content mark it as belonging to Raphael's Florentine period, 1505-08. In fact this panel, signed and dated 1508, was executed near the end of Raphael's stay in Florence. The date 1508 and the artist's monogram "RV" have been worked into the embroidery of the Virgin's robe. The title derives from the names of two former owners. The full, well-formed figures reveal an early influence of Michelangelo, while the soft modeling and the use of chiaroscuro reveal the influence of Leonardo. Fra Bartolomeo's influence is particularly clear. The composition is extremely simple and essential; the gesture of the Child, who stretches his hand toward the Virgin while turning his attention toward the spectator, and the gesture with which the Virgin holds the hand to her breast, provide the only signs of life. The sentiment of anxious motherhood which, enriched by greater awareness, will be fully expressed in the Tempi Madonna, now in the Alte Pinakothek of Munich, appears here for the first time.Artist:RAFFAELLO Sanzio Title: Madonna and Child (The Large Cowper Madonna) Painted in 1501-1550 , Italian - - painting : religious Italian High Renaissance Painter, 1483-1520
Gemälde ID:: 63973
Madonna and Child Oil on wood Staatliche Museen, Berlin The Madonna and Child is depicted with St Barbara and a Carthusian monk. , Artist: CHRISTUS, Petrus , Madonna and Child , 1451-1500 , Flemish , painting , religious Netherlandish Northern Renaissance Painter, ca.1410-1473
(November 10, 1827 - March 31, 1912). was an American painter and stained-glass designer. He specialized in oil on canvas as his medium. He is sometimes associated with Albert Pinkham Ryder as a painter of mood. His works include Good Samaritan, painted in 1886, Flight into Egypt, Harvest Time, Sailboat Manned by Two Men, and The Bather.
He was born in Richmond, Virginia and moved to Clarksville, Tennessee when he was 11 years of age. Later, as a young adult, he studied art in New York, England, and France. Newman served briefly as an artillery lieutenant for the Confederate Army during the American Civil War. He died of asphyxiation from a gas leak from a stove on March 31, 1912.
Gemälde ID:: 70932
Madonna and Child ca. 1897(1897)
Oil on canvas
56 x 30.9 cm (22.05 x 12.17 in)
(November 10, 1827 - March 31, 1912). was an American painter and stained-glass designer. He specialized in oil on canvas as his medium. He is sometimes associated with Albert Pinkham Ryder as a painter of mood. His works include Good Samaritan, painted in 1886, Flight into Egypt, Harvest Time, Sailboat Manned by Two Men, and The Bather.
He was born in Richmond, Virginia and moved to Clarksville, Tennessee when he was 11 years of age. Later, as a young adult, he studied art in New York, England, and France. Newman served briefly as an artillery lieutenant for the Confederate Army during the American Civil War. He died of asphyxiation from a gas leak from a stove on March 31, 1912.
was a South Netherlandish painter who was born about 1470 and died about 1527. His first name is sometimes spelled Janssone, and his last name is sometimes spelled van Doornik or van Dornick. He was active in Antwerp from about 1509 to about 1525. His paintings are classified stylistically as Antwerp Mannerism, and he may be the same person as the Master of 1518.
Gemälde ID:: 74787
Madonna and Child Jan Van Dornicke's painting of Madonna and Child, with St Joseph and angels, ca. 1520, oil on pannel, 37.5 x 26.7 cm
cjr was a South Netherlandish painter who was born about 1470 and died about 1527. His first name is sometimes spelled Janssone, and his last name is sometimes spelled van Doornik or van Dornick. He was active in Antwerp from about 1509 to about 1525. His paintings are classified stylistically as Antwerp Mannerism, and he may be the same person as the Master of 1518.
Gemälde ID:: 80450
Madonna and Child oil, and gold on wood painting by Filippino Lippi, ca. 1485, The Metropolitan Museum of Art
Date ca. 1485
cyf Italian
1457-1504
Filippino Lippi Galleries
Gemälde ID:: 81964
Madonna and Child Madonna and Child (1527) by Jan Gossaert (Mabuse) Oil on panel, Museo del Prado, Madrid
Date 1527(1527)
cjr 1478-1534
Flemish
Jan Gossaert Mabuse Galleries
Gemälde ID:: 82018
Madonna and Child Date ca. 1525(1525)
Medium Oil on canvas
Dimensions English: 35 x 28 cm
cjr 1479-1542
Italian
Dosso Dossi Locations
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Gemälde ID:: 82519
Madonna and Child Date ca. 1498(1498)
Medium Oil on wood
Dimensions Height: 50 cm (19.7 in). Width: 39 cm (15.4 in).
cjr b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Gemälde ID:: 82581
Madonna and Child Date ca. 1505(1505)
Medium Oil on wood
Dimensions Height: 209.6 cm (82.5 in). Width: 148.6 cm (58.5 in).
cjr Italian High Renaissance Painter, 1483-1520
Gemälde ID:: 83097
Madonna and Child Date ca. 1450(1450)
Medium Oil on oak
Dimensions Height: 19 cm (7.5 in). Width: 14 cm (5.5 in).
cjr Flemish
1415-1473
Petrus Christus Locations
Gemälde ID:: 83218
Madonna and Child Date 1481(1481)
Medium tempera and Oil on panel
Dimensions Height: 59 cm (23.2 in). Width: 45 cm (17.7 in).
cjr Venice ca 1432-after 1491
(October 14, 1427??August 29, 1499) was an Italian early Renaissance painter.
Baldovinetti was born in Florence to a family of a rich merchant. In 1448 he was registered as a member of the Guild of St. Luke: "Alesso di Baldovinetti, dipintore."
He was a follower of the group of scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Tradition says that he assisted in the decorations of the church of S. Egidio, however no records confirm this. These decoration were carried out during the years 1441 - 1451 by Domenico Veneziano and in conjunction with Andrea del Castagno. That he was commissioned to complete the series at a later date (1460) is certain.
In 1462 Alesso was employed to paint the great fresco of the Annunciation in the cloister of the Annunziata basilica. The remains as we see them give evidence of the artist's power both of imitating natural detail with minute fidelity and of spacing his figures in a landscape with a large sense of air and distance; and they amply verify two separate statements of Vasari concerning him: that "he delighted in drawing landscapes from nature exactly as they are, whence we see in his paintings rivers; bridges, rocks, plants, fruits, roads, fields, cities, exercise grounds, and an infinity of other such things," and that he was an inveterate experimentalist in technical matters.
His favourite method in wall-painting was to lay in his compositions in fresco and finish them a secco with a mixture of yolk of egg and liquid varnish. This, says Vasari, was with the view of protecting the painting from damp; but in course of time the parts executed with this vehicle scaled away, so that the great secret he hoped to have discovered turned out a failure. In 1463 he furnished a cartoon of the Nativity, which was executed in tarsia by Giuliano de Maiano in the sacristy of the cathedral and still exists. From 1466 date the groups of four Evangelists and four Fathers of the Church in fresco, together with the Annunciation on an oblong panel, which still decorate the Portuguese chapel in the basilica of San Miniato, and are given in error by Vasari to Piero Pollaiuolo. A fresco of the risen Christ between angels inside a Holy Sepulchre in the chapel of the Rucellai family, also still existing, belongs to 1467.
In 1471 Alesso undertook important works for tile church of Santa Tr??nita on the commission of Bongianni Gianfigliazzi. First, to paint an altar-piece of the Virgin and Child with six saints; this was finished in 1472: next, a series of frescoes from the Old Testament which was to be completed according to contract within five years, but actually remained on hand for fully sixteen. In 1497 the finished series, which contained many portraits of leading Florentine citizens, was valued at a thousand gold forms by a committee consisting of Cosimo Rosselli, Benozzo Gozzoli, Perugino and Filippino Lippi; only some defaced fragments of it now remain.
Gemälde ID:: 83596
Madonna and Child ca. 1470(1470)
Medium tempera on panel
Dimensions 104 x 76 cm
cyf (October 14, 1427??August 29, 1499) was an Italian early Renaissance painter.
Baldovinetti was born in Florence to a family of a rich merchant. In 1448 he was registered as a member of the Guild of St. Luke: "Alesso di Baldovinetti, dipintore."
He was a follower of the group of scientific realists and naturalists in art which included Andrea del Castagno, Paolo Uccello and Domenico Veneziano. Tradition says that he assisted in the decorations of the church of S. Egidio, however no records confirm this. These decoration were carried out during the years 1441 - 1451 by Domenico Veneziano and in conjunction with Andrea del Castagno. That he was commissioned to complete the series at a later date (1460) is certain.
In 1462 Alesso was employed to paint the great fresco of the Annunciation in the cloister of the Annunziata basilica. The remains as we see them give evidence of the artist's power both of imitating natural detail with minute fidelity and of spacing his figures in a landscape with a large sense of air and distance; and they amply verify two separate statements of Vasari concerning him: that "he delighted in drawing landscapes from nature exactly as they are, whence we see in his paintings rivers; bridges, rocks, plants, fruits, roads, fields, cities, exercise grounds, and an infinity of other such things," and that he was an inveterate experimentalist in technical matters.
His favourite method in wall-painting was to lay in his compositions in fresco and finish them a secco with a mixture of yolk of egg and liquid varnish. This, says Vasari, was with the view of protecting the painting from damp; but in course of time the parts executed with this vehicle scaled away, so that the great secret he hoped to have discovered turned out a failure. In 1463 he furnished a cartoon of the Nativity, which was executed in tarsia by Giuliano de Maiano in the sacristy of the cathedral and still exists. From 1466 date the groups of four Evangelists and four Fathers of the Church in fresco, together with the Annunciation on an oblong panel, which still decorate the Portuguese chapel in the basilica of San Miniato, and are given in error by Vasari to Piero Pollaiuolo. A fresco of the risen Christ between angels inside a Holy Sepulchre in the chapel of the Rucellai family, also still existing, belongs to 1467.
In 1471 Alesso undertook important works for tile church of Santa Tr??nita on the commission of Bongianni Gianfigliazzi. First, to paint an altar-piece of the Virgin and Child with six saints; this was finished in 1472: next, a series of frescoes from the Old Testament which was to be completed according to contract within five years, but actually remained on hand for fully sixteen. In 1497 the finished series, which contained many portraits of leading Florentine citizens, was valued at a thousand gold forms by a committee consisting of Cosimo Rosselli, Benozzo Gozzoli, Perugino and Filippino Lippi; only some defaced fragments of it now remain.
Gemälde ID:: 84027
Madonna and Child Date ca. 1503(1503)
Medium Oil on wood
Dimensions Height: 55 cm (21.7 in). Width: 40 cm (15.7 in).
cjr Italian High Renaissance Painter, 1483-1520
Gemälde ID:: 84477
Madonna and Child Date between 1485(1485) and 1490(1490)
Medium Oil on wood
Dimensions Height: 89 cm (35 in). Width: 71 cm (28 in).
cjr Italian High Renaissance Painter, ca.1430-1516
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Gemälde ID:: 85964
Madonna and Child 1498(1498)
Medium Oil on wood
cyf b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Gemälde ID:: 90287
Madonna and Child 15th century
Medium oil on panel
Dimensions 39.5 x 28.5 cm (15.6 x 11.2 in)
cyf [Italian Early Renaissance Painter, 1430-ca.1508
Gemälde ID:: 90299
Madonna and Child 1470 - 1480
Medium oil on panel
Dimensions 55 x 49 cm (21.7 x 19.3 in)
cjr Italian High Renaissance Painter, ca.1430-1516
Gemälde ID:: 91513
Madonna and Child 15th century
Medium oil on panel
Dimensions 39.5 x 28.5 cm (15.6 x 11.2 in)
cyf [Italian Early Renaissance Painter, 1430-ca.1508
(c. 1480/1485 - c. 1540) was an Italian painter active in Piedmont.
Ferrari was born at Chivasso, near Turin, and worked in the workshop of Giovanni Martino Spanzotti.
He met considerable success as a painter of polyptychs and altarpieces, characterized by a highly decorative style inspired by Northern Europe masters.
Gemälde ID:: 92819
Madonna and Child 1526(1526)
Medium oil on panel
Dimensions 56 X 37 cm (22 X 14.6 in)
cjr (c. 1480/1485 - c. 1540) was an Italian painter active in Piedmont.
Ferrari was born at Chivasso, near Turin, and worked in the workshop of Giovanni Martino Spanzotti.
He met considerable success as a painter of polyptychs and altarpieces, characterized by a highly decorative style inspired by Northern Europe masters.
1605-1685
Italian
Giovan Battista Salvi Sassoferrato Gallery
Gemälde ID:: 95896
Madonna and Child 17th century
Medium oil on canvas
Dimensions 29 13/16 x 24 11/16 in.
cyf 1605-1685
Italian
Giovan Battista Salvi Sassoferrato Gallery
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Gemälde ID:: 96923
Madonna and Child circa 1498(1498)
Medium oil on panel
Dimensions 50 X 40 cm
cyf b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
(ca. 1660 - ca. 1711) was a prominent Polish painter and engraver of the Baroque, court painter of king John III Sobieski and a Polish-Lithuanian noble. He is considered one of the most accomplished painters of Classical Baroque in Poland, who joined in his works classical theory with genuine motives.
Gemälde ID:: 97159
Madonna and Child 1680-1685
Medium oil on canvas
cyf (ca. 1660 - ca. 1711) was a prominent Polish painter and engraver of the Baroque, court painter of king John III Sobieski and a Polish-Lithuanian noble. He is considered one of the most accomplished painters of Classical Baroque in Poland, who joined in his works classical theory with genuine motives.
